EMBR Productions is a full-service live event and touring house. We bridge the gap between creative ambition and technical reality for the world's most demanding artists and brands.
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View case study arrow_forward_iosWe partner with artists, brands, and forward-thinking teams to deliver nights people remember.
“EMBR is the rare partner that brings both creative fire and operational rigor — they make the impossible feel effortless.”
Touring is fast, expensive, and unforgiving. The hard part isn't any one piece — it's keeping the designers, vendors, the artist's vision, the budget, and the logistics all pointed the same direction. EMBRace keeps them aligned. One team keeping the whole thing together, so you're not the one trying to manage it.
Let us handle the chaos. You own the moment.
How often does a design get pitched, approved, then quietly scaled down because it's too big or too expensive? We've watched it happen a hundred times.
Designers get hired without the budget or the venue data — often because that data doesn't exist yet — so they build something beautiful and impossible. Then comes the value-engineering, and what's left is a show nobody's in love with.
We do the math first. Before a rendering ever reaches the artist, it's been checked against the budget, the venues, and tour logistics. What you approve is what you get.
Production, scenic, and lighting design, plus the technical drawings, rigging plots, and power distribution that make them real.
From our own inventory or a trusted vendor, packaged from a tech's perspective. Rent the rig without the rest if that's all you need.
Gear is gear. The right people — who work well together and are invested in your show — are the foundation of every good one.
Custom scenic, drops, and soft goods. If you can draw it, we can build it.
Veteran content designers making the screen unmistakably yours.
Lasers, pyro, cryo, confetti, streamers. The list keeps getting longer.
No hidden markups. No kickbacks. Touring budgets have carried hidden fat for so long that most people assume it's normal. It isn't. With EMBRace you see where every dollar goes — and most clients spend less, not more, because dialing everything in up front kills the last-minute changes that blow up budgets and timelines.
One team for the whole tour — creative direction and design, A/V/L, buses and logistics, merch, fan activation. One point of contact, one weekly payment, zero headaches.
Cheaper than you'd think. We negotiate hard on your behalf — vendors, crew, service providers — and treat your budget like our own. Most clients come out ahead.
None. No tour's too small. That said, the model earns its keep on runs of eight weeks or longer.
Yes. You don't have to buy the whole model to work with us — take the single piece you need.
We keep a deep bench of world-class designers, techs, and TMs — every one of them can deliver. Where we earn our fee is matching the right crew to the right client: people who like the work, and the people they do it with.
Two months is ideal — it lets us negotiate the best terms. We've launched a tour on four days' notice. We don't recommend it.
Yes — suppliers worldwide and the scar tissue to navigate them. Just build in more lead time.
Often. Single events run a little differently, but we do them all the time.
Arena-level lighting, programmed to your show and run on timecode. Sets up in under 30 minutes, strikes just as fast, and needs no dedicated tech on site. Looks custom. Runs itself.
Your songs, your looks, cued to timecode by our designers before it ever ships.
Fires straight out of Ableton, Logic, Pro Tools, or Cubase. Hit play; the show runs itself.
If you can match colors, you can set up a Grab & Glow rig. No tech required. Load in, power up, and you're lit.
Start small and add fixtures as the rooms get bigger. The rig grows with the tour. The programming builds on itself, so you're never starting from scratch.
StageOne, EMBR's in-house content studio, consists of a 9.5-meter, curved LED wall for virtual production, music films, and brand work.
Any location, keyed live and reflected accurately in-camera — no travel, no weather, no permits.
Worlds that move with the performance. Built for artists who want the video to feel like the record.
Product and campaign work with the environment under your control down to the pixel.
High-volume, high-polish capture days that would take a week on location.
General sessions, keynotes, product launches, galas, and brand activations — produced with the caliber of a world tour and the process discipline your stakeholders expect. You hand it off; we make you the hero.
Staging, IMAG, speaker support, content, and show-calling that keeps the room on message.
Multi-day run of show, breakouts to main stage, one seamless production team.
The moment has to land in the room and on camera. We build for both.
Broadcast-grade polish, black-tie calm.
Experiences that move people — from brand showcases to fully immersive, one-of-one environments.
One look, every market, no drop-off in quality between cities.
We run live arena shows with no second takes. Your general session is not where we get nervous.
Clear scope, a detailed run of show, real rehearsals, and procurement-friendly billing. No surprises on the invoice, none on show day.
Certified rigging, backup systems, fully licensed and insured. The failure modes are handled before you think to ask.
The best corporate production disappears — nobody in that room should be thinking about the lighting rig. They should be thinking about your message. That's the entire job.
You always know where things stand, and you're never the one holding the loose ends.
Send the dates, the city, and the scope; we'll reply within one business day with a straight answer on fit and budget.
We tell stories with pixels and photos. For brands, artists, and businesses, we turn a room full of gear into a moment an audience actually feels — and we build the long-term partnerships that let us keep doing it.
Our team is stacked with specialists — design, production, engineering — which is what lets us find the imaginative, buildable answer instead of the obvious one. And we're in it for the long run: partnerships, not one-off gigs. The best work happens when a client trusts us enough to keep calling.
Exceptional work starts with an exceptional team, so we don't just hire talent — we invest in it, and protect it. When our people are supported and trusted, they show up with more: more creativity, more precision, more care. We're building EMBR to be one of the best places to work in this industry, and that's not an accident — it's the whole strategy. The way we treat our crew is exactly what you feel on show day.
We turn "gear" into well-designed systems — easy to deploy, flawless night after night. They say the devil's in the details, so we obsess over them. Decades of road experience, plus a relentless pursuit to do it better than it's ever been done before. Built to set the crews that deploy them up for success.
One or two sentences on what this show was and why it mattered — the hook a producer reads before deciding to keep scrolling.
PHOTO CREDIT - TAIT
The centerpiece was an LED floor built into the thrust stage in the shape of Wallen's logo — a build that took extensive collaboration with TAIT Towers in Lititz, PA to get right, both in product selection and in engineering a system that could be set up and struck fast enough to keep pace with a stadium tour schedule. Above the stage, automated LED pods flew in choreographed formation, adding a moving layer to the visual world of the show. Camera coverage brought its own challenge: integrating wireless camera systems and selecting the right camera package to work seamlessly with TAIT's 3D Navigator system, which flew over the entire audience and stage thrust throughout the show.
PHOTO CREDIT: DAVID LEHR
PHOTO CREDIT: TAIT
One or two sentences on what this show was and why it mattered — the hook a producer reads before deciding to keep scrolling.
PHOTO CREDIT: OLIVIA SEBESKY
PHOTO CREDIT: MOHEGAN SUN
PHOTO CREDIT: OLIVIA SEBESKY
One or two sentences on what this show was and why it mattered — the hook a producer reads before deciding to keep scrolling.
If you want to look as happy as these guys do, you should seriously consider coming aboard.
Whether it's a new MacBook Pro or a cable tester, we've got you covered. It's hard to work without the right tools.
When we say we're in it for the long haul, we mean it. Long-term disability and a 401(k) with a 5% match after one year.
Simple policy: as long as you don't abuse it, if you need it, take it. We want you at your best.
Coffee for days, Friday happy-hours, and the occasional old-school dance party featuring our own DJ Squintz.
Health, dental, and vision insurance, plus a host of other benefits. After one year, you get even more.
We invest in those who invest with us — an allowance for continuing education, conferences, and other programs.
Monthly at our Nashville HQ, most also live-streamed. Manufacturer reps and industry pros training techs on specific gear — GrandMA3 programming, LED and processing, and more.
Every quarter or so we run one built specifically for people trying to break into live events. Completely free.
Get notified →High-school and college students can shadow a department head for a day — a hands-on look at what this industry is actually like.
Get notified →Internships are semester-long, sponsored by an accredited college or university. Not focused on one discipline — every intern spends time in every department, including back-office and administration.
Apprenticeships are the next step up: focused on one area (lighting, video, project management) with no university sponsorship required. Both are paid positions.
Apply now →We hire good people when we find them, not just when a role is posted. Tell us what you do and what you want to be doing.
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Three weeks out or three months out — the sooner we're in the conversation, the better the show. Send the basics and we'll reply within one business day.
hello@embrprod.com
(615) 931-2725
Nashville, TN
Working nationwide
Mon–Fri · 9am–5pm CT